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Everything is Illuminated by Jonathan Safran Foer

He had also lost a wife, not to death but to another man. He had returned from an afternoon at the library to find a note covering the ‘SHALOM!’ of their home’s welcome mat: “I had to do it for myself.”

No one said anything as he read the note, and no one ever said anything afterward, as if the disappearance of his wife weren’t the slightest bit unusual, or as if they hadn’t noticed that he had been married at all. 

Why couldn’t she have slid it under the door? he wondered. Why couldn’t she have folded it? It looked just like any other note she would leave him, like, Could you try to fix the broken knocker?” or ”I’ll be back soon, don’t worry.” It was so strange to him that such a different kind of note - ”I had to do it for myself.” - could look exactly the same: trivial, mundane, nothing.

He could have hated her for leaving it there in plain sight, he could have hated her for the plainness of it, a message without adornment, without any small clue to indicate that yes, this is important, yes, this is the most painful note I’ve ever written, yes, I would sooner die than to have to write this again. Where were the dried teardrops? Where was the tremor in the script?

But his wife was his first and only love and it was the nature of those from the tiny shtetl to forgive their first and only loves, so he forced himself to understand, or to pretend to understand. He never once blamed her… she wanted to be without him.

Posted on May 23rd (6:02pm), 5 days ago
holocausthistory:

Theresa’s House

When asked to draw a house, Theresa, a little Polish girl who had spent two years in a camp, responded with this testimonial of her psychological state after the extreme trauma she had lived through. The marks she drew on the blackboard were all she could draw of the inextricable tangle of lines of the barbed wire. 
Photo by David Seymour

holocausthistory:

Theresa’s House

When asked to draw a house, Theresa, a little Polish girl who had spent two years in a camp, responded with this testimonial of her psychological state after the extreme trauma she had lived through. The marks she drew on the blackboard were all she could draw of the inextricable tangle of lines of the barbed wire.

Photo by David Seymour

I want to talk with you forever. I remember every word you’ve ever said to me. If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you. You would say it’s too soon to feel this. You would ask how I could be so certain. But some things can’t be measured by time. Ask me an hour from now. Ask me a month from now. A year, lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast.

— Lisa Kleypas (via venebelle)

Posted on Apr 4th (3:09am), 1 month ago
“You always hurt the one you love, the one you shouldn’t hurt at all. You always take the sweetest rose,crush it ‘til the petals fall. You always break the kindest heart, with a hasty word you can’t recall. So, if I broke your heart last night, it’s because I love you most of all…”

“You always hurt the one you love,
the one you shouldn’t hurt at all.
You always take the sweetest rose,
crush it ‘til the petals fall.
You always break the kindest heart,
with a hasty word you can’t recall.
So, if I broke your heart last night,
it’s because I love you most of all…

I hold it true, whate’er befall;
I feel it, when I sorrow most;
‘Tis better to have loved and lost
Than never to have loved at all.

— Alfred, Lord Tennyson

Posted on Apr 3rd (11:29pm), 1 month ago
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